Saturday, November 21, 2009

[American_Idol_Extra] Out Magazine Responds To Adam Lambert's Response!, Debate is about tolerance and equality



Out Magazine Responds To Adam Lambert's Response!

Out_Dec-Jan575.jpg
​Let's recap: Out magazine blew the whistle on Adam Lambert's handlers for various demands they made so that he wouldn't come across "too gay" in the magazine.

Lambert fired back with remarks on ew.com saying the mag had crossed the line.

And now, here's Out's response to the response:

"We've no desire to prolong this discussion, but whether or not we crossed a line in throwing light on the conversations that preceded Adam's cover shoot and interview, we're glad to see such a robust and spirited debate. We admire Adam's achievements, which is why we honored him as Breakout Star of the Year, but using the editor's letter to discuss the old school tactics in the way he ismarketed and promoted was important for an annual issue that celebrates gay progress--the Out 100.

"In his interview with Entertainment Weekly, Adam says, 'the letter that Aaron wrote is holding us back. Because it's recognizing the big difference as opposed to letting us all ignore preference and just be people.' We're glad he's sees sexuality that way. So do we--it's why we were so dismayed by his management whose actions reinforced those distinctions rather than erased them. This was never about turning Adam into a political figure, or about whether he should have been on the cover of Rolling Stone first (of course he should-what pop star wouldn't want that?).

"It was, however, about challenging the double standard applied to gay and mainstream media, or to use Adam's words, moving past those distinctions between gay and straight. As this controversy erupted a young gay man was murdered in Puerto Rico precisely by the kind of people who refuse to see past sexual preferences, and while we know that such hatred offends Adam as much as it does us, we hope his fans will consider the relationship between slurs such as 'too gay' and the second class status-yes, a form of apartheid-of gays in America. Adam is not required to address this cruel and lethal discrepancy--he does enough by being himself--but was it too much for us to expect his managers, with or without Adam's consent, to treat Out with the same respect they would treat mainstream media?"

More:
http://blogs.villagevoice.com/dailymusto/archives/2009/11/out_magazine_re.php

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Wednesday, November 18, 2009

[American_Idol_Extra] Sing Along Wednesday: Stupid Callous Homophobic Hateful Legislation





Sing Along Wednesday: Stupid Callous Homophobic Hateful Legislation
Thanks to Dominick for this.
 
Yep I think you're gonna like this!!!  :O)
Stupid Callous Homophobic Hateful Legislation
 
Click here:
 


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Together, we can change the world, one mind at a time.
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Tommy

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Tuesday, November 17, 2009

[American_Idol_Extra] Adam Lambert Talks About 'Not Alienating' Fans With His Sexuality




Adam Lambert Talks About 'Not Alienating' Fans With His Sexuality

Out editor writes sharp letter to singer's management after being told not to make him seem 'too gay.'

Adam Lambert
 

With the release of his debut album, For Your Entertainment, slated for next week, Adam Lambert is everywhere these days. But one place he hasn't been before is on the cover of Out magazine, the country's leading gay publication. Wearing a tuxedo and a quizzical look, Lambert posed for the "Out 100" issue alongside comedian Wanda Sykes, gay icon Cyndi Lauper, former Army lieutenant and "Don't ask, don't tell" opponent Daniel Choi, and "Chicago" director Rob Marshall.

One misconception Lambert dealt with early in the interview was the suspicion from some gay fans that he dropped not-so-subtle, winking hints about his sexuality on "American Idol" before officially coming out of the closet after the program ended.

"There was never any deliberate, like, 'I'm going to hint now...' because I was never in the closet," he said. "The funny thing about dealing with all that was ... [Long pause.] When those pictures came out online, I got freaked out. I was like, 'Great, that's gonna f--- things up.' 'Cause I just figured, you know, this is a national television program and people are conservative in our country, aside from L.A. and New York and a couple of other places."

Lambert said he decided early on that he was not going to make his sexuality a factor on the show, because to him it was about entertaining the audience. But he knew that some fans might be upset by his decision.

"It's a hard thing that everybody's gonna have their opinion about," he said. "Some people in the gay community might look at it like, 'You really should've owned that. You didn't hide it, but you didn't admit it and that's weak.' My whole point is, I'm not trying to lead the f---ing way for the civil-rights movement that we're in right now. I just happen to be a gay man — and I'm not ashamed of that at all."

Lambert lauded the Fox publicity team for how they handled the leak of pictures of him making out with an ex-boyfriend and explained that he told the show's spokesperson he was not ashamed of the photos and didn't feel like he had to deny (or confirm) anything.

" 'I don't want to seem like I'm ashamed of it. Because that's not me,' " he said he told her. " 'That's just not how I am. But at the same time, I really want this opportunity and I want to stay on the show as long as possible. So, I kinda have to come up with a compromise.' And [the publicist] was like, 'Well, is it a big deal to you?' And I'm like, 'No.' And she's like, 'Well, then let's not make a big deal out of it.' And that's what we did. ... And I'm glad that I handled it that way, because I think that had I immediately said the words and labeled myself — you know, said 'I am gay' — I think that it would've been more about that, initially, than anything else."

Among other topics, Lambert discussed his shock at finding that many of his fans are not feeling his collaborator and kindred spirit Lady Gaga: "A lot of my core fans — people that went to the 'Idol' concerts, and I glance at the messages boards once in a while — there is a surprising amount of them that don't like her."

He also discussed how his desire to just stay on "American Idol" from week to week drove him to adopt a chameleon-like persona.

"This week I'm not going to have any rocker style. I'm going to do Motown. I'm not going to wear any makeup, and I'm going to do my cleaned-up classic retro look," he explained of his strategy. "And people were like, 'Wow!' And I'm like, 'To me it's not really that different. I'm just wearing a suit. I just brushed my hair.' " He was surprised when his efforts to change it up each week were met with support from the show's producers, who allowed him to be himself, realizing that the chatter was good for ratings.

He also talked about how the goofy Ford videos the "Idol" contestants dreaded were actually good practice for when he filmed his "Time for Miracles" clip, what kind of boys he's into and the loss of anonymity that comes with suddenly being a famous pop star.

Lambert admitted that the tremendous pressure he feels to succeed has already gotten to him a couple of times, but said his decade-plus of experience in musical theater and living in Los Angeles has perhaps made him more prepared than other contestants. "When you're in the city of entertainment, and you open your eyes and you meet people and you hear stories and you have friends that have been through this and that, going onto a show like 'Idol,' you get it, going into it," he said.

In response to a question about Lambert's handlers telling the magazine not to make their client seem "too gay," the singer said there is something to that idea in crafting his image. "I think the whole magic of this moment is that I'm not alienating anybody," he said. "I'm not trying to anyway. I want as many people to feel like they can like the music. I don't want to edit myself to the point where I feel like I don't have integrity. ... It's almost like being a political figure. It's like a balancing act."

For the issue, Out editor in chief Aaron Hicklin wrote an open letter to Lambert airing some grievances with how the singer, and his managers, are handling the spotlight.

"I like you, I really do," Hicklin wrote. "Although I'd never watched 'American Idol,' I became a fan this year thanks to your unapologetic flamboyance and sexual swagger. It was refreshing to see someone playing by his own rules among so many cookie-cutters."

Hicklin said he thought Lambert's second-place finish was a win for those who saw it as a test of America's growing tolerance. "That's why we're proud to have you in this year's Out 100, along with all the other men and women who don't believe their sexuality should be a barrier to success," he added.

"It's unfortunate, therefore, that your record label and management don't share the same view. We're curious whether you know that we made cover offers for you before 'American Idol' was even halfway through its run. Apparently, Out was too gay, even for you. There was the issue of what it would do to your record sales, we were told. Imagine! A gay musician on the cover of a gay magazine. What might the parents think! It's only because this cover is a group shot that includes a straight woman that your team would allow you to be photographed at all — albeit with the caveat that we must avoid making you look 'too gay.' "

A spokesperson for Lambert's management had not returned requests for comment at press time.

Hicklin went on to lament that while the Out interview was "gracious and frank," he was disheartened by Lambert's decision to do a photo shoot with Details magazine that had him groping a naked woman. "You're a pioneer, an out gay pop idol at the start of his career," Hicklin wrote. "Someone has to be first, and we're all counting on you not to mess this up. You have to find your own path and then others can follow. We just hope it's a path that's honest and true and that you choose to surround yourself with people who celebrate your individuality."

Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.

More:

http://www.mtv.com/news/articles/1626453/20091117/lambert_adam_american_idol_.jhtml


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Tommy


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Sunday, November 15, 2009

[American_Idol_Extra] SING ALONG SUNDAY: "Best of All Possibe Worlds" from "Candide"





SING ALONG SUNDAY: "Best of All Possibe Worlds" from "Candide"
 

Candide, ou l'Optimisme (pronounced /ˌkænˈdiːd/ in English and [kɑ̃ˈdid] in French) is a French satire written in 1759 by Voltaire, a philosopher of the Age of Enlightenment. The novella has been widely translated, with English versions titled Candide: or, All for the Best (1759); Candide: or, The Optimist (1762); and Candide: or, Optimism (1947).[5] The novella begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply optimism) by his mentor, Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not outright rejecting optimism, advocating an enigmatic precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best in the best of all possible worlds".

Candide is characterized by its sarcastic tone and its erratic, fantastical, and fast-moving plot. A picaresque novel with a story similar to that of a more serious bildungsroman, it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake.[6] As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism.[7][

Source:

http://en.wikipedia.org/wiki/Candide

Candide (1956) is an operetta with music composed by Leonard Bernstein, based on the novella of the same name by Voltaire. The original libretto was written by Lillian Hellman, but since 1974, has been generally performed with a book by Hugh Wheeler, which is more faithful to Voltaire's novel. [1] The primary lyricist was the poet Richard Wilbur. Other contributors to the text were John Latouche, Dorothy Parker, Lillian Hellman, Stephen Sondheim, and Leonard Bernstein. Hershy Kay, John Mauceri, and Maurice Peress contributed orchestrations.

Candide first opened on Broadway as a musical on 1 December 1956. The premier production was directed by Tyrone Guthrie and conducted by Samuel Krachmalnick.[101] While this production was a box office flop, the music was highly praised, and an original cast album was made. The album gradually became a cult hit, but Hellman's libretto was criticised as being too serious an adaptation of Voltaire's novel.[102] Candide would be more popular seventeen years later with a new libretto by Hugh Wheeler.

Source:

http://en.wikipedia.org/wiki/Candide

 

 
The Overture to Leonard Bernstein's operetta Candide. Although the operetta never achieved the mainstream popularity of West Side Story, the overture has earned a part in the orchestral repertoire. Since its first concert performance on January 26, 1957, by the New York Philharmonic under the composer's baton, the Overture to Candide has become one of the most frequently performed orchestral compositions by a 20th century American composer.
 
The overture incorporates tunes from the songs "The Best of All Possible Worlds", "Battle Music", "Oh, Happy We", and "Glitter and Be Gay" and melodies composed specifically for the overture. Much of the music is in odd time signatures including 6/4 and 3/2, which are furthermore combined with 4/4 and 2/2 to make effective 5/2s and 7/2s in places by rapid, regular switching between them and 3/2. (See hemiola)
 
 
Best of all possible worlds
 
The phrase "the best of all possible worlds" (French: le meilleur des mondes possibles; German: Die Beste aller möglichen Welten) was coined by the German philosopher Gottfried Leibniz in his 1710 work Essais de Théodicée sur la bonté de Dieu, la liberté de l'homme et l'origine du mal (Essays on Theodicy, concerning the Goodness of God, the Freedom of Man, and the Origin of Evil). It is the central argument in Leibniz's theodicy, or his attempt to solve the problem of evil.
 
The Best of All Possible Worlds Lyrics
 
DR. PANGLOSS
Let us review
Lesson eleven!

STUDENTS:
Paragraph two
Axion seven

PANGLOSS:
Once one dismisses
The rest of all possible worlds
One finds that this is
The best of all possible worlds!

STUDENTS:
Once one dismisses
The rest of all possible worlds
One finds that this is
The best of all possible worlds!

PANGLOSS:
Pray classify
Pigeons and camels

MAXIMILLIAN:
Pigeons can fly!

PAQUETTE:
Camels are mammals!

PANGLOSS:
There is a reason
For everything under the sun!

CANDIDE:
There is a reason
For everything under the sun!

MAXIMILLIAN:
Objection!
What about snakes?

PANGLOSS:
Snakes!
'Twas snake that tempted mother Eve
Because of snake we now believe
That though depraved
We can be saved
>From hellfire and damnation
(Because of snake's temptation!)

If snake had not seduced our lot
And primed us for salvation
Jehova could not pardon all
The sins that we call cardinal
Involving bed and bottle!

ALL
Now onto Aristotle!

PANGLOSS
Mankind is one
All men are brothers!

STUDENTS:
As you'd have done
Do unto others!

PANGLOSS
It's understood in
This best of all possible worlds--

MAXIMILLIAN
All's for the good in
This best of all possible worlds!

CANDIDE:
Objection!
What about war?

PANGLOSS:
War!
Though war may seem a bloody curse
It is a blessing in reverse
When canon roar
Both rich and poor
By danger are united!
(Till every wrong is righted!)

Philosophers make evident
The point that I have cited
'Tis war makes equal -- as it were --
The noble and the commoner
Thus war improves relations!

ALL:
Now onto conjugations!

PANGLOSS:
Amo, amas,
Amat, amamus!

STUDENTS:
Amo, amas,
Amat, amamus!

PANGLOSS:
Proving that this is
The best of all possible worlds
With love and kisses [blows a kiss]
The best of all possible worlds!

STUDENTS:
Proving that this is
The best of all possible worlds
With love and kisses [blows a kiss]
The best of all possible worlds!

PANGLOSS
Quod erat demunstrandum!
QED!
Amo, amas,
Amat amamus!

MAXIMILLIAN: (overlapping)
Quod erat demunstrandum!
QED!
Amo, amas!
Quod erat demunstrandum!

PAQUETTE: (overlapping)
Quod erat demunstrandum!
QED!
Amo, amas!

CANDIDE: (overlapping)
Quod erat demunstrandum!
QED!

CUNEGONDE: (overlapping)
Quod erat demunstrandum!

ALL:
Quod erat demunstrandum
In this best of all
Possible, possible, possible worlds!
Quod erat demunstrandum!
Q!
E!
D!!!!!!!!!!!
 
 
Click these links and sing along:
 
Candide - 03 Best of all possible worlds
 
"Live on Broadway" New York Philharmonic under conductor Marin Alsop. Dr. Pangloss: Sir Thomas Allen Candide: Paul Groves Cunegonde: Kristin Chenoweth Paquette
 
 
 
Bernstein - Candide Act I 4. The best of all possible worlds
 
London symphony orchestra London symphony chorus Conductor : Leonard Bernstein Candide : Jerry Hadley
 
 
 
Bonus video:
 
Candide, The best of All Possible Worlds With a Modern Twist
 
 


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Have a great day,
Tommy


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Sunday, November 8, 2009

[American_Idol_Extra] SING ALONG SUNDAY: "I've got a Gal in Kalamazoo" celebrating the anti-discrimination ordinance.






SING ALONG SUNDAY: "I've got a Gal in Kalamazoo" celebrating the anti-discrimination ordinance.
 
 

Kalamazoo File:Kalamazoo.jpgonounced /ˌkæləməˈzuː/) is the largest city in the southwest region of the U.S. state of Michigan. It is the county seat of Kalamazoo County. As of the 2000 census, the city had a total population of 76,145. It is the major city of the Kalamazoo-Portage metropolitan area, which had an estimated population of 323,713 as of 2007.

Kalamazoo is home to Western Michigan University, a nationally recognized research institution that has benefited from the local presence of Pfizer, Eaton Corporation and Stryker Corporation. This has enabled the school to offer strong programs in both its College of Engineering and Applied Sciences, and Haworth College of Business.

The city is also home to Kalamazoo College (often referred to as "K College"), a liberal arts school located adjacent to WMU's campus.

Source:
 
 
Kalamazoo voters approve anti-discrimination ordinance by a wide margin
 
 anti-discrimination ordinance passed
Andrea Siferd, 26, center, of Kalamazoo cheers at the Metro Night Club, 411 N Westnedge, after the announcement of the anti-discrimination ordinance passed Tuesday evening. Sifred volunteered for the One Kalamazoo campaign.
 
Kalamazoo city voters decisively adopted an ordinance Tuesday that extends anti-discrimination protections to gays, lesbians, bisexuals and transgender individuals.

The ordinance passed 7,671 to 4,731, making Kalamazoo the 16th city in Michigan to adopt such a gay-rights ordinance that grants the protections in the areas of employment, housing and public accommodations.
 
The ordinance was approved in all but three of the city's voting places. It also passed among heavy absentee ballot voting.

"There's a lot of people who will wake up and breathe easier tomorrow knowing they won't be fired or kicked out of their homes for being gay, lesbian or transgender," said Jon Hoadley, campaign manager One Kalamazoo, the pro-ordinance campaign committee. "It was astounding the overwhelming support that we had. Kalamazoo said this is what it wants."

Kalamazoo resident Larissa Dugas said she cast her ballot for the ordinance, which she called largely symbolic.

"It is symbolic to have people stand up and say that we won't stand for intolerance," Dugas said. "It's important for this to be an inclusive community."
 
Source:
 
 
(I've Got a Gal In) Kalamazoo
 

"(I've Got a Gal In) Kalamazoo" is a popular song written by Mack Gordon and Harry Warren published in 1942.

It was featured in the musical film Orchestra Wives and was recorded by Glenn Miller & His Orchestra, featuring Tex Beneke and The Modernaires.

Academy Award Nomination:

Nominated: Best Music, Original Song, "I've Got a Gal in Kalamazoo", Harry Warren (music), Mack Gordon (lyrics) (1943)

Source:

http://en.wikipedia.org/wiki/(I%27ve_Got_a_Gal_In)_Kalamazoo

 
 
The Lyrics:
 
I've got a Gal in Kalamazoo
 
Hi there Tex, how's your new romance?
The one you met at the campus dance.
Wait until you see her you'll agree,
My hometown gal's the only one for me.

A-B-C-D-E-F-G-H I got a gal in Kalamazoo,
Don't wanna boast,
But I know she's the toast
Of Kalamazoo-zoo-zoo-zoo-zoo-zoo.
Years have gone by, my, my, how she grew,
I liked her looks
When I carried her books
In Kalamazoo-zoo-zoo-zoo-zoo.
I'm gonna send a wire,
Hoppin' on a flyer,
Leavin' today;
Am I dreamin'?
I can hear her screamin',
"Hiya, Mister Jackson" ev'rything's O-K-A-L-A-M-A-Z-O
Oh, what a gal, a real pipperoo;
I'll make my bid
For that freckle-faced kid,
I'm hurryin' to.
I'm goin' to Michigan to see the sweetest gal in Kalamazoo.

A-B-C-D-E-F-G-H I got a gal in Kalamazoo,
Don't wanna boast,
But I know she's the toast
Of Kalamazoo-zoo-zoo-zoo-zoo-zoo.
Years have gone by, my, my, how she grew,
I liked her looks
When I carried her books
In Kalamazoo-zoo-zoo-zoo-zoo.
I'm gonna send a wire,
Hoppin' on a flyer,
Leavin' today;
Am I dreamin'?
I can hear her screamin',
"Hiya, Mister Jackson" ev'rything's O-K-A-L-A-M-A-Z-O
Oh, what a gal, a real pipperoo;
I'll make my bid
For that freckle-faced kid,
I'm hurryin' to.
I'm goin' to Michigan to see the sweetest gal in Kalamazoo-zoo-zoo-zoo,
Zoo, Kalamazoo!
Click these links and sing and dance along:
 
SINGALONG WITH GLENN MILLER KALAMAZOO
 
 
 
 
 
I've got a Gal in Kalamazoo
 
This is the full clip of the Glenn Miller band with Tex Beneke and one of the greatest dance routines ever in movies by the Nicholas Brothers. From the 1942 movie "Orchestra Wives"
 
 

BBC Big Band Orchestra- I've Got a Gal in Kalamazoo

http://www.youtube.com/watch?v=Vmw-_QxjCAQ


--
Together, we can change the world, one mind at a time.
Have a great day,
Tommy


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Together, we can change the world, one mind at a time.
Have a great day,
Tommy

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Monday, November 2, 2009

[American_Idol_Extra] Dancing's Derek Hough: I Didn't Mean for Mambo Move to Look So Sexual







 
Story photo: Dancing's Derek Hough: I Didn't Mean for Mambo Move to Look So Sexual
 
The Lambada Strip Finish

Dancing's Derek Hough: I Didn't Mean for Mambo Move to Look So Sexual
 
etitive head-in-the-crotch move on Dancing with the Stars that left even Tom Bergeron flummoxed. But to hear the Season 7 pro champ tell it, the risqu move was just part of his improvised plan of attack to win the mambo marathon — and they did. Find out what else the 24-year-old has to say about their stellar week, why it would be "mind-blowing" to win and what special performance he has in store for the results show.

TVGuide.com: We have to first talk about the mambo marathon and that head-bobbing move you guys did.
Derek Hough:
[Laughs] Everybody's like, "What the heck is that? It's so sexual!" Well, I didn't mean for it to look that way! There's a move in the mambo where she hinges back and you go down, flip your leg over and bring her back up. But as I was looking around, I was like, "Oh, we can't just do our routine. We've got to do something different, something that kind of eggs the audience on a little bit." So I did that move and just kind of kept her down there and she kept trying to come back up and I was like, "Nope!" It was pretty funny. She did an amazing job.

Dancing's Joanna Krupa strips down for Playboy

TVGuide.com: How much of those four minutes was improvised and how much was choreographed?
Hough:
I did a minute-long routine and then we just repeated it. When it was getting closer [to the end], we knew we really had to up our game, so I just started doing the most exciting parts. It was a total freestyle. She just starting grooving out and I was like, "OK, I'll groove out with you." So I grabbed her and started shouting out stuff: "OK, here comes the pretzel! Here comes the dip!" It was all out of order, but she was wanting it and just did a great job.

TVGuide.com: How are the rumba and Team Tango routines going? Is it fair to do the team dances with an uneven number of couples left?
Hough:
The rumba's going good. It's a really tough dance. The slower the dance, the harder it is. [Krupa]'s handling it very well. The Team Tango, we've all done a great job. Me, Louis [van Amstel] and Kym [Johnson] came together and choreographed it up. Donny [Osmond]'s great and Kelly [Osbourne]'s fantastic. I think we have a good team and I actually think we have an advantage [over Team Paso Doble, which is four couples] because the less people you have, the less margin of error there is. The other team has more possibilities for formation and we're kind of limited, but we're creative and we've got some cool ideas.

Dancing's Joanna Krupa: "People will see the real me"

TVGuide.com: Joanna has been a surprise this season. Models don't have a great track record and everyone was on her case about her Superstars tantrum, but she's been doing so well.
Hough:
When I first started dancing with Joanna, I knew we had an uphill battle. She came in with, you know, not the best reputation. Getting to know her, she's a really amazing person. I think models in general have a certain insecurity about themselves because they're known for being beautiful, so they have to prove to everybody they have personality and they are intelligent. ... One thing I love about Joanna too is that she's very thankful to be on the show. She's not taking it for granted whatsoever. Some people come on and are like, "All right," and do their thing, but she really understands that she's fortunate to be on such an amazing show and really wants to work hard.

TVGuide.com: Do you feel like a lot of people have a different opinion of her now than they did when she was on Superstars?
Hough:
Yeah. When we're in the studio, people go, "Give it up for Donny!" and the crowd goes crazy. "Give it up for Kelly!" and the crowd goes nuts. "Give it up for Joanna!" and everyone's like, [muted] "Yay." Her fan base is not as big as Donny Osmond's or anyone like that and she knows that. But during the mambo marathon, when we were left dancing, the audience went insane — totally rooting for her. They were 100 percent on her side. She told me later, "Oh my gosh, I've never had so much support in my entire life." It was so, so nice to hear that. She's definitely earned her place on the show. I'm really proud of her.

Read Maks' Dancing blog

TVGuide.com: People are talking about you guys winning now. What do you think your chances are of becoming a two-time champ?
Hough:
You never know. It would be very, very unexpected and would be a huge surprise to me! We're going to do our best and take it one week at a time. It would be mind-blowing to win with Joanna. With Brooke [Burke], I was surprised, not because I didn't think she deserved it, but because there were so many other factors. With Joanna, it would be crazy, unbelievable, because I don't think it would be as expected. To even make the final would be unbelievable for her and for me.

TVGuide.com: You're pulling double duty this week too: You and Mark [Ballas, with whom he formed the Ballas Hough Band] are performing a song, "Move," on the results show. What can we expect?
Hough:
It's going to be a duo thing. It's going to be a full-on performance with dancers and stuff like that. We've been rehearsing and choreographing it. The performance is going to be available on iTunes. It's going to be a little different from what people have heard from us before. It's going to be more like something you would hear in a club, something that you would say, "Oh, I want to choreograph to that" when you hear it. We wanted to show a dance club vibe. It's going to be a very three-dimensional show. We're really excited.
 

Related Articles on TVGuide.com

More:
 
Watch on YouTube Here:
 
Dancing With The Stars - Mambo Marathon
 
 
 
The Shirtless Lambada Strip, Week 4
 
Week 4 - Joanna Krupa - Dancing With The Stars
 
 
 
 
 

--
Together, we can change the world, one mind at a time.
Have a great day,
Tommy


--
Together, we can change the world, one mind at a time.
Have a great day,
Tommy

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Sunday, November 1, 2009

[American_Idol_Extra] Sing Along Sunday: "Witchcraft" for Samhain






Sing Along Sunday: "Witchcraft" for Samhain
 
File:Baldung Hexen 1508 kol.JPG
 
Hans Baldung Grien - Hexen (Witches; woodcut, 1508)
 
 
 

Witchcraft, in various historical, anthropological, religious and mythological contexts, is the use of certain kinds of supernatural or magical powers. Witchcraft can refer to the use of such powers in order to inflict harm or damage upon members of a community or their property. Other uses of the term distinguish between bad witchcraft and good witchcraft, the latter involving the use of these powers to heal someone from bad witchcraft. The concept of witchcraft is normally treated as a cultural ideology, a means of explaining human misfortune by blaming it either on a supernatural entity or a known person in the community.[1] A witch (from Old English wicce f. / wicca m., also compare hag) is a practitioner of witchcraft.

Belief in witchcraft, and by consequence witch-hunts, are found in many cultures worldwide, today mostly in Sub-Saharan Africa (e.g. in the witch smellers in Bantu culture), and historically notably in Early Modern Europe of the 14th to 18th century, where witchcraft came to be seen as a vast diabolical conspiracy against Christianity, and accusations of witchcraft led to large-scale witch-hunts, especially in Germanic Europe.[2]

The "witch-cult hypothesis", a controversial theory that European witchcraft was a suppressed pagan religion, was popularised in the 19th and early 20th centuries. Since the mid-20th century, Witchcraft has become the self-designation of a branch of neopaganism, especially in the Wicca tradition following Gerald Gardner, who claimed a religious tradition of Witchcraft with pre-Christian roots.[3]

Source:
 
 
Samhain
 
 
Celtic design featuring three intertwined dogs
 

Samhain (pronounced /ˈsɑːwɪn/, /ˈsaʊ.ɪn/, or /ˈsaʊn/ in English[1] — from Irish Samhain [ˈsˠaunʲ], cf. Scottish Gaelic Samhuinn [ˈsavɯɲ], Manx Gaelic Sauin and Old Irish Samain [ˈsaṽɨnʲ] — roughly translated as "summer's end" — is a festival held on October 31–November 1 in Gaelic cultures. A harvest festival with ancient roots in Celtic paganism, it was linked to festivals held around the same time in other Celtic cultures, and continued to be celebrated in late medieval times.

Samhain marked the end of the harvest, the end of the "lighter half" of the year and beginning of the "darker half". Many scholars believe that it was the beginning of the Celtic year.[2][3][4] It has some elements of a festival of the dead. The Gaels believed that the border between this world and the otherworld became thin on Samhain. Bonfires played a large part in the festivities. People and their livestock would often walk between two bonfires as a cleansing ritual, and the bones of slaughtered livestock were cast into its flames.[5]

The Gaelic custom of wearing costumes and masks, was an attempt to copy the spirits or placate them. In Scotland the dead were impersonated by young men with masked, veiled or blackened faces, dressed in white.[6][7] Samhnag — turnips which were hollowed-out and carved with faces to make lanterns — were also used to ward off harmful spirits.[7]

The Gaelic festival became associated with the Christian All Saints' Day and All Souls' Day, and has hugely influenced the secular customs now connected with Halloween. It continues to be celebrated as a religious festival by some Neopagans.[3][4][8]

Samhain and an t-Samhuinn are also the Irish and Scottish Gaelic names of November, respectively.More:

 
 
 
 
Witchcraft (song)
 

"Witchcraft" is a popular song from 1957 composed by Cy Coleman with lyrics by Carolyn Leigh. It was released as a single by Frank Sinatra, and reached number twenty in the U.S., spending sixteen weeks on the charts.[1]

Composed as an instrumental piece by Coleman for the revue Take Five, lyrics were added by Leigh, and "Witchcraft" was subsequently recorded by Sinatra in May 1957, in an arrangement by Nelson Riddle.[2]

Versions

Sinatra recorded "Witchcraft" three times in a studio setting. The first recording was in 1957, for his single release, and was later released on his compilation album All the Way (1961). Sinatra re-recorded "Witchcraft" for 1963's Sinatra's Sinatra, and finally recorded it as a duet with Anita Baker for Duets (1993).

Grammys

At the 1st Grammy Awards, Frank Sinatra was nominated for six Grammy awards, with Sinatra's recording of "Witchcraft" being nominated for the Record of the Year, Song of the Year, Best Vocal Performance, Male, and Nelson Riddle's arrangement nominated for the Grammy Award for Best Arrangement. Sinatra had two albums nominated for the Grammy Award for Album of the Year, and won the Grammy Award for Best Album Cover.

Source:
 
 
 
Bell Book and Candle
 
 
Witchcraft  The Lyrics
 
Those fingers in my hair
That sly come hither stare
That strips my conscience bare
It's witchcraft.

And I've got no defense for it,
The heat is too intense for it.
What good would common sense for it do?

'Cause it's witchcraft,
Wicked witchcraft,
And although I know it's strictly taboo

When you arouse the need in me,
My heart says yes indeed in me,
Proceed with what your leading me to

It's such an ancient pitch,
But one I wouldn't switch,

'Cause there's no nicer witch than you

**Instrumental break**

'Cause it's witchcraft,
That crazy witchcraft,
And although I know it's strictly taboo

When you arouse the need in me,
My heart says yes indeed in me,
Proceed with what your leading me to...

It's such an ancient pitch,
But one that I would never switch,
'Cause there's no nicer witch than you

Click These Links and Sing Along:

Frank Sinatra - Witchcraft
 
 
 
Witchcraft - Frank Sinatra & Anita Baker HD
 
 
 
James Marsden singing Witchcraft (Frank Sinatra) Ally Mcbeal
 
 

--
Together, we can change the world, one mind at a time.
Have a great day,
Tommy


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