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American Idol' judges will be picked by mid-September Hope it works the link If you don't stand for something, you will fall for anything. Nancy |
LOS ANGELES — Walking away from a five-year contract worth tens of millions of dollars, Ellen DeGeneres said Thursday evening that she was leaving "American Idol" on Fox after just one season because it was not a "right fit" for her. In bowing out, she joins the infamous judge Simon Cowell, who departed in May.
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The departures of two of the show's four judges denotes that a wholesale makeover is under way as "Idol," the nation's most popular entertainment show, heads into its 10th season this winter. Singer auditions are already under way.
The Web site Deadline.com said Thursday night that the singer Jennifer Lopez secretly reached a deal earlier this week to replace Ms. DeGeneres. Fox declined to comment but a person familiar with the deal confirmed the report.
More details about the changes to "Idol" could come on Monday, when Fox executives are scheduled to answer questions at a conference for TV critics here.
Hardly a day goes by without a new name being floated for one of the seats on the judges' panel, one of the most enviable jobs in television and music. Trade publications and entertainment Web sites have said recently that the musicians Harry Connick Jr., Chris Isaak, Elton John, Jessica Simpson and Justin Timberlake have all been considered.
Separately, people familiar with the show's production said this week that one of the original executive producers of "Idol," Nigel Lythgoe, is in negotiations to return in the same position. He would supplement, not replace, the other executive producers.
Mr. Lythgoe, who now produces and judges another Fox reality show, "So You Think You Can Dance," said earlier this year that if he were back in charge, he would replace every judge on "Idol."
Despite slowly sagging ratings, "Idol" continues to generate huge profits for Fox and the show's producers, 19 Entertainment and FremantleMedia. Each year it mints new pop stars and generates at least $800 million in advertising revenue.
The two judges who remain are Randy Jackson and Kara DioGuardi.
Because Ms. DeGeneres had a longer-term contract than they do, she remarked in a CNN interview in May, "I'm going to be the last one in there."
But in that same interview, she also said that she had a hard time hurting the feelings of the young contestants who try out for "Idol" but get voted off each week during the live telecasts. On Thursday, she cited that as one of several reasons why she was leaving.
Ms. DeGeneres said in a statement that she informed Fox "a couple months ago" that the show "didn't feel like the right fit for me."
"I told them I wouldn't leave them in a bind and that I would hold off on doing anything until they were able to figure out where they wanted to take the panel next," she said.
I am a huge fan of Paulas. I am also a web/graphic designer by hobby. I looked around the internet to find Paula fan forums and found none that were active. Besides her official sites. So I created one. I put alot of time, energy and creativity into this site. Now all I need is members to join. So if your a fan of Paula's please check out my site and sign up so we can all share the love we have for Paula!
http://straight-up.users-board.com
Ellen DeGeneres is out on "American Idol."
DeGeneres will not return as a judge on the hit singing competition series, Fox announced Thursday. And more judge changes are in store as the network tries to stem the show's alarming loss of viewers.
Sources say the suits behind the scene wanted her gone. But, on Thursday, they handed her the knife, issuing a statement saying DeGeneres "has decided to bow out from her role as a judge on 'American Idol' next season" which included a quote from Ellen in which she said that a couple of month ago she told Fox and the show's producers she didn't think she was "the right fit" for the show.
Mmmmm. Yup.
The announcement even included a quote from the usually buttoned-down Peter Rice, chairman of entertainment at Fox Networks Group, in which he effused, "We love Ellen and understand and support her decision to bow out of 'Idol'."
Anyway, however it happened, the good news -- the thing for us to focus on -- is that Ellen is gone. Monday, Fox's day at Summer TV Press Tour 2010, is going to be major with the remaining "Idol" judges' status on everyone's minds, such as they are.
Sources say the exit of Ellen, who survived just one season on the show, is not the producers' last move. We already know Simon Cowell is gone, and Kara DioGuardi's contract had not been renewed as of press time.
And Nigel Lythgoe, who has returned to the show in an oversight capacity, had been advocating for a gut job. Lythgoe, who executive produced "Idol" for many years before leaving in summer of '08 to focus exclusively on "So You Think You Can Dance," was no fan of the judging panel.
This past season -- Ellen's first and, as it turns out last, Lythgoe was the show's most outspoken critics, telling pretty much anyone who would listen, including Zap2it.com last April, "I would replace the entire judging panel."
"They don't' have a great deal of chemistry at the moment," he said, stating the obvious, of Randy Jackson, Ellen, Kara, and Simon.
"It's uncomfortable to watch," Lythgoe said, speaking for us all, adding, "Ellen hasn't worked out as well as we would have hoped."
Ellen was a bad fit from the get go. The comic-turned-sitcom-star-turned-daytime-talk- show-host started her new "Idol" judging career on the same day Simon came to Winter TV Press Tour 2010 to announce he was quitting the show.
DeGeneres was never comfortable performing the responsibilities of an "Idol" judge. Cheerleader yes -- judge no, and her pre-written gags almost always fell with a thud on performance nights.
In that interview back in April, Lythgoe blue-skied that if he could get any judge lineup he wanted on "Idol" it would be: Usher, Elton John and Justin Timberlake.
Not coincidentally, their names have all turned up in recent speculation as to who will replace Simon -- and now, it would appear, Ellen -- on the singing competition, which has seen its ratings sink dramatically the past couple seasons, though it remains the country's most watched program.
But names of other pop culture names are being spit-balled as Reporters Who Cover Television play Let's Re-Cast Idol. The list includes Chris Isaak, Harry Connick Jr., and Jessica Simpson. And, let's not forget Bret Michaels, Howard Stern -- and, of course, Donald Trump .
I got some e-mails from friends my e-mail was jacked , so gotta get a new yahoo account I am so sorry for this I haven't been on here for a few days either not happy about this either |
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Porgy and Bess is an opera, first performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward. It was based on DuBose Heyward's novel Porgy and the play of the same name as the opera which he co-wrote with his wife Dorothy Heyward. All three works deal with African American life in the fictitious Catfish Row (based on the real-life Cabbage Row) in Charleston, South Carolina, in the early 1920s.
Originally conceived by Gershwin as an "American folk opera", Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers—a daring and visionary artistic choice at the time. Gershwin chose African American Eva Jessye as the choral director for the opera. Incorporating a wealth of blues and jazz idioms into the classical art form of opera, Gershwin considered it his finest work.
The work was not widely accepted in the United States as a legitimate opera until 1976, when the Houston Grand Opera production of Gershwin's complete score established it as an artistic triumph. Nine years later the Metropolitan Opera gave their first performance of the work. This production was also broadcast as part of the ongoing Saturday afternoon live Metropolitan Opera radio broadcasts. The work is now considered part of the standard operatic repertoire and is regularly performed internationally. Despite this success, the opera has been controversial; some critics from the outset have considered it a racist portrayal of African Americans.
"Summertime" is by far the best-known piece from the work, and countless interpretations of this and other individual numbers have also been recorded and performed. The second best-known number is It Ain't Necessarily So. The opera is admired for Gershwin's innovative synthesis of European orchestral techniques with American jazz and folk music idioms.
Porgy and Bess tells the story of Porgy, a crippled black man living in the slums of Charleston, South Carolina. It deals with his attempts to rescue Bess from the clutches of Crown, her violent and possessive lover, and Sportin' Life, the drug dealer. Where the earlier novel and stage-play differ, the opera generally follows the stage-play.
The Porgy and Bess original cast recording was included by the National Recording Preservation Board in the Library of Congress, National Recording Registry in 2003.[1] The board selects songs on an annual basis that are "culturally, historically, or aesthetically significant."
On July 14, 1993, the United States Postal Service recognized the opera's cultural significance by issuing a commemorative 29-cent postage stamp, and in 2001 Porgy and Bess was proclaimed the official opera of the State of South Carolina.[2]
"Summertime" is the name of an aria composed by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward. The song soon became a popular jazz standard.
Gershwin is said to have based this song on a Ukrainian lullaby, Oi Khodyt Son Kolo Vikon (A Dream Passes By The Windows), which he heard in a New York City performance by Oleksander Koshetz's Ukrainian National Chorus.
Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. It is sung multiple times throughout Porgy and Bess, first by Clara in Act I as a lullaby and soon after as counterpoint to the craps game scene, in Act II in a reprise by Clara, and in Act III by Bess, singing to Clara's baby.
Source:
Summertime, And the livin' is easy Fish are jumpin' And the cotton is high Your daddy's rich And your mamma's good lookin' So hush little baby Don't you cry One of these mornings You're going to rise up singing Then you'll spread your wings And you'll take to the sky But till that morning There's a'nothing can harm you With daddy and mamma standing by Summertime, And the livin' is easy Fish are jumpin' And the cotton is high Your daddy's rich And your mamma's good lookin' So hush little baby Don't you cry
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