Sunday, July 26, 2009

[American_Idol_Extra] SING ALONG SUNDAY: "Summertime" from "Porgy and Bess" by George Gershwin




 
SING ALONG SUNDAY
 
"Summertime" from "Porgy and Bess" by George Gershwin
 
 
File:Porgyandbess.gif
 
The cast of Porgy and Bess photographed by Richard Tucker. Oct. 10, 1935

Porgy and Bess is an opera, first performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward. It was based on DuBose Heyward's novel Porgy and the play of the same name as the opera which he co-wrote with his wife Dorothy Heyward. All three works deal with African American life in the fictitious Catfish Row (based on the real-life Cabbage Row) in Charleston, South Carolina, in the early 1920s.

Originally conceived by Gershwin as an "American folk opera", Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers—a daring and visionary artistic choice at the time. Gershwin chose African American Eva Jessye as the choral director for the opera. Incorporating a wealth of blues and jazz idioms into the classical art form of opera, Gershwin considered it his finest work.

The work was not widely accepted in the United States as a legitimate opera until 1976, when the Houston Grand Opera production of Gershwin's complete score established it as an artistic triumph. Nine years later the Metropolitan Opera gave their first performance of the work. This production was also broadcast as part of the ongoing Saturday afternoon live Metropolitan Opera radio broadcasts. The work is now considered part of the standard operatic repertoire and is regularly performed internationally. Despite this success, the opera has been controversial; some critics from the outset have considered it a racist portrayal of African Americans.

"Summertime" is by far the best-known piece from the work, and countless interpretations of this and other individual numbers have also been recorded and performed. The second best-known number is It Ain't Necessarily So. The opera is admired for Gershwin's innovative synthesis of European orchestral techniques with American jazz and folk music idioms.

Porgy and Bess tells the story of Porgy, a crippled black man living in the slums of Charleston, South Carolina. It deals with his attempts to rescue Bess from the clutches of Crown, her violent and possessive lover, and Sportin' Life, the drug dealer. Where the earlier novel and stage-play differ, the opera generally follows the stage-play.

The Porgy and Bess original cast recording was included by the National Recording Preservation Board in the Library of Congress, National Recording Registry in 2003.[1] The board selects songs on an annual basis that are "culturally, historically, or aesthetically significant."

On July 14, 1993, the United States Postal Service recognized the opera's cultural significance by issuing a commemorative 29-cent postage stamp, and in 2001 Porgy and Bess was proclaimed the official opera of the State of South Carolina.[2]

"Summertime" is the name of an aria composed by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward. The song soon became a popular jazz standard.

Gershwin is said to have based this song on a Ukrainian lullaby, Oi Khodyt Son Kolo Vikon (A Dream Passes By The Windows), which he heard in a New York City performance by Oleksander Koshetz's Ukrainian National Chorus.

Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period. It is sung multiple times throughout Porgy and Bess, first by Clara in Act I as a lullaby and soon after as counterpoint to the craps game scene, in Act II in a reprise by Clara, and in Act III by Bess, singing to Clara's baby.

Source:

http://en.wikipedia.org/wiki/Summertime_(song)

 
Summertime Lyrics
 
Summertime, And the livin' is easy Fish are jumpin' And the cotton is high  Your daddy's rich And your mamma's good lookin' So hush little baby Don't you cry  One of these mornings You're going to rise up singing Then you'll spread your wings And you'll take to the sky  But till that morning There's a'nothing can harm you With daddy and mamma standing by  Summertime, And the livin' is easy Fish are jumpin' And the cotton is high  Your daddy's rich And your mamma's good lookin' So hush little baby Don't you cry
 
 
 
 
 
 
Click these links and sing along:
 
Summertime (Porgy and Bess) - George Gershwin
 
 
 
 
Summertime Billie Holiday
 
 
 
 
Ella Fitzgerald - Summertime
 
 
 

Leontyne Price sings "Summertime"
 
 

Tommy


--
Together, we can change the world, one mind at a time.
Have a great day,
Tommy

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[American_Idol_Extra] Alexis Cohen, former American Idol contestant, apparently murdered at Jersey Shore




Alexis Cohen, former American Idol contestant, apparently murdered

July 26, 8:57 AM
2 comments
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Alexis Cohen, former American Idol contestant, was found dead.
Alexis Cohen wanted to be on American Idol. (FOX) 

Alexis Cohen from Allentown, Pa., former contestant on American Idol known as Glitter Girl, was found dead in Seaside Heights in an apparent homicide.

According to App.com in a report of the incident, the 25-year-old Alexis Cohen was struck and killed by a car. Deputy Chief Michael Mohel of the Ocean County Prosecutors office said they found her car in a parking lot 300 yards away from where they found her body at around 4am, at the edge of Dupont Avenue near Bay Boulevard.

Michael Mohel stated that a driver and a passenger noticed Alexis Cohen and called 911, after which First Aid workers took her to the Community Medical Center, where she was pronounced dead at 6:30am. An autopsy performed on Saturday, July 25th revealed chest and abdominal injuries and a closed head injury caused by collision with a vehicle.

As many might remember, Alexis Cohen made it to the part of American Idol that has the least to do with the talent, where the producers attempt to balance humor with drama at the beginning of every season. She was one of the auditioners that did not get a golden ticket to Hollywood. And she was rejected twice. First there was the audition in Philadelphia aired in 2008 for American Idol's Season 7, where she told everyone, "I march to the beat of a different drummer," and allowed herself one of the most unforgettable tantrums on camera after the judges passed on her vocal talents. Next year she was back on Season 8 of Idol, this time trying to behave herself and comically failing to remain in control after being rejected once again.  

Deputy Chief Michael Mohel asks anyone with information about the incident to call Investigator Carlos Trujillo-Tovar of the Ocean County Prosecutor's Office at 732-929-2027 or Detective Steve Korman of the Seaside Heights Police at 732-973-1800.

Alexis Cohen will surely be very missed by her friends and family.

Watch a YouTube clip here:


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Thursday, July 23, 2009

Re: [American_Idol_Extra] Exclusive: Brad Paisley shares his night at the White House



You think Toby Keith will be invited? Or is he a Birther now?
 
 
----- Original Message -----
From: Tommy News
Sent: Thursday, July 23, 2009 2:19 PM
Subject: [American_Idol_Extra] Exclusive: Brad Paisley shares his night at the White House

 




Paisley shakes hands and talks with President Obama after his performance.

Paisley shakes hands and talks with President Obama after his performance.

 
 
 
Exclusive: Brad Paisley shares his night at the White House
  • Story Highlights
  • Country music star Brad Paisley participates in White House Music Series
  • Paisley blogs about performing for President Obama
  • Obama listens to "Welcome to the Future" about an African-American in high school
  • "As I sang that, it was everything I could do not to lose it," Paisley writes
updated 1 hour, 24 minutes ago
From Brad Paisley
 
Decrease font Decrease font
Enlarge font Enlarge font

Editor's note: Country music star Brad Paisley was asked to participate in the White House Music Series on July 21. Exclusively for CNN.com, Paisley blogged about performing in the historic East Room before the president, the first lady, students, White House staff and members of Congress.

Country music star Brad Paisley performs at the White House in front of the president and members of Congress.

Country music star Brad Paisley performs at the White House in front of the president and members of Congress.

Click to view previous image
1 of 2
Click to view next image

WASHINGTON (CNN) -- I've been to the White House five or six times over the years, but none of those times did I ever pick up an instrument.

It was always for some event.

"Hey, there's a reception. Come eat some finger foods, and look around and be in awe like everybody else."

But this time, the phone call was essentially, "We would like to know if Brad would be interested in performing at the White House in the East Room."

It was as simple as that. It's like, "Yes! More than yes. I'm floored. Why?!"

And I could never get the answer why. They just wanted me to play.

Ironically, I read this story just last week on CNN about Michelle Obama's great-great grandfather, Jim Robinson, who was a slave in South Carolina. It's insane to think about that. How the world has changed.

On November 4th, I felt an emotion like I haven't felt in my entire life. I think whoever you voted for, you had to be moved.

My grandfather was in the Philippines fighting against the Japanese during World War II -- and now I record for Sony and played Japan twice on tour, and loved every minute.

If you'd go back in time and tell my grandfather during air raid sirens, "Hang on there. Your grandson -- they're gonna love him," he never would have believed it.

On Tuesday night, I got to perform four songs, and I looked down at the president -- who was sitting about 10 feet away from me at the time -- and I said, "I think about my kids and this generation, and you are the first president they're going to remember."

I got to say that to him. And he just nodded and sort of closed his eyes. And I said, "So this is a song for our times. It's called 'Welcome to the Future.' "

The last verse is about a kid in high school who's having a difficult time, and who's black, and he has a cross burned in his yard for asking out the homecoming queen.

And the line of the chorus is, "Wake up Martin Luther, welcome to the future."

As I sang that, it was everything I could do not to lose it. I had to close my eyes, or I would completely break down. 'Cause in sound check at three in the afternoon, I started crying. I couldn't sing it. Video Watch the performance »

The last words that I sang were, "Glory, glory hallelujah, welcome to the future," and then I left and went offstage.

I took my hat and tipped it to him and said, "Thank you, sir." And then I came off and just started bawling, because it was so emotional for me to sing those words.

He came to me and said, "If I could sing like you," which was really cool. And then he sort of looked me in the eye and he said, "Wonderful, wonderful words." And I said, "Thank you, sir. I meant them."

Being able to deliver that message personally to one of the people who ushered in this new era is really one of the most completely, artistically satisfying moments I've ever had.

I don't think he knows that much about country music, but that's OK. We're talking about a guy born in Hawaii who lived in Chicago, so I don't know if he's been exposed to it much.

His aides said he told them he was going to download my stuff, which was really cool. I don't know if he will, but I hope he remembers to do that. I could make him a playlist, if he'd like.

I'm lucky that my current album, "American Saturday Night," has a couple of songs about being alive in these times -- that are about our country and are semi-patriotic. Because you know me -- up 'til this time, I've sung about beer, fishing, love and searching for ticks.

You can't go anywhere in the White House without them taking your picture -- probably without your even knowing it. I hope that's the case. I want to think they're watching you in there.

advertisement

But maybe they just don't care about napkins and ashtrays, because they certainly didn't say anything when we walked out with them! My wife did get a couple of towels -- not the hand towels, but the paper towels that are stamped with the seal -- she got a couple of those.

Everybody's a groupie in the White House. Everybody! I think if George Bush went back to visit, he go, "Hmm. Let me take some of these napkins." There's something about the White House. You've got to have swag from there if you can get it.

More:
http://edition.cnn.com/2009/SHOWBIZ/Music/07/23/brad.paisley.white.house/

--
Together, we can change the world, one mind at a time.
Have a great day,
Tommy


--
Together, we can change the world, one mind at a time.
Have a great day,
Tommy



__._,_.___


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Change settings via the Web (Yahoo! ID required)
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[American_Idol_Extra] Exclusive: Brad Paisley shares his night at the White House






Paisley shakes hands and talks with President Obama after his performance.

Paisley shakes hands and talks with President Obama after his performance.

 
 
 
Exclusive: Brad Paisley shares his night at the White House
  • Story Highlights
  • Country music star Brad Paisley participates in White House Music Series
  • Paisley blogs about performing for President Obama
  • Obama listens to "Welcome to the Future" about an African-American in high school
  • "As I sang that, it was everything I could do not to lose it," Paisley writes
updated 1 hour, 24 minutes ago
From Brad Paisley
 
Decrease font Decrease font
Enlarge font Enlarge font

Editor's note: Country music star Brad Paisley was asked to participate in the White House Music Series on July 21. Exclusively for CNN.com, Paisley blogged about performing in the historic East Room before the president, the first lady, students, White House staff and members of Congress.

Country music star Brad Paisley performs at the White House in front of the president and members of Congress.

Country music star Brad Paisley performs at the White House in front of the president and members of Congress.

Click to view previous image
1 of 2
Click to view next image

WASHINGTON (CNN) -- I've been to the White House five or six times over the years, but none of those times did I ever pick up an instrument.

It was always for some event.

"Hey, there's a reception. Come eat some finger foods, and look around and be in awe like everybody else."

But this time, the phone call was essentially, "We would like to know if Brad would be interested in performing at the White House in the East Room."

It was as simple as that. It's like, "Yes! More than yes. I'm floored. Why?!"

And I could never get the answer why. They just wanted me to play.

Ironically, I read this story just last week on CNN about Michelle Obama's great-great grandfather, Jim Robinson, who was a slave in South Carolina. It's insane to think about that. How the world has changed.

On November 4th, I felt an emotion like I haven't felt in my entire life. I think whoever you voted for, you had to be moved.

My grandfather was in the Philippines fighting against the Japanese during World War II -- and now I record for Sony and played Japan twice on tour, and loved every minute.

If you'd go back in time and tell my grandfather during air raid sirens, "Hang on there. Your grandson -- they're gonna love him," he never would have believed it.

On Tuesday night, I got to perform four songs, and I looked down at the president -- who was sitting about 10 feet away from me at the time -- and I said, "I think about my kids and this generation, and you are the first president they're going to remember."

I got to say that to him. And he just nodded and sort of closed his eyes. And I said, "So this is a song for our times. It's called 'Welcome to the Future.' "

The last verse is about a kid in high school who's having a difficult time, and who's black, and he has a cross burned in his yard for asking out the homecoming queen.

And the line of the chorus is, "Wake up Martin Luther, welcome to the future."

As I sang that, it was everything I could do not to lose it. I had to close my eyes, or I would completely break down. 'Cause in sound check at three in the afternoon, I started crying. I couldn't sing it. Video Watch the performance »

The last words that I sang were, "Glory, glory hallelujah, welcome to the future," and then I left and went offstage.

I took my hat and tipped it to him and said, "Thank you, sir." And then I came off and just started bawling, because it was so emotional for me to sing those words.

He came to me and said, "If I could sing like you," which was really cool. And then he sort of looked me in the eye and he said, "Wonderful, wonderful words." And I said, "Thank you, sir. I meant them."

Being able to deliver that message personally to one of the people who ushered in this new era is really one of the most completely, artistically satisfying moments I've ever had.

I don't think he knows that much about country music, but that's OK. We're talking about a guy born in Hawaii who lived in Chicago, so I don't know if he's been exposed to it much.

His aides said he told them he was going to download my stuff, which was really cool. I don't know if he will, but I hope he remembers to do that. I could make him a playlist, if he'd like.

I'm lucky that my current album, "American Saturday Night," has a couple of songs about being alive in these times -- that are about our country and are semi-patriotic. Because you know me -- up 'til this time, I've sung about beer, fishing, love and searching for ticks.

You can't go anywhere in the White House without them taking your picture -- probably without your even knowing it. I hope that's the case. I want to think they're watching you in there.

advertisement

But maybe they just don't care about napkins and ashtrays, because they certainly didn't say anything when we walked out with them! My wife did get a couple of towels -- not the hand towels, but the paper towels that are stamped with the seal -- she got a couple of those.

Everybody's a groupie in the White House. Everybody! I think if George Bush went back to visit, he go, "Hmm. Let me take some of these napkins." There's something about the White House. You've got to have swag from there if you can get it.

More:
http://edition.cnn.com/2009/SHOWBIZ/Music/07/23/brad.paisley.white.house/

--
Together, we can change the world, one mind at a time.
Have a great day,
Tommy


--
Together, we can change the world, one mind at a time.
Have a great day,
Tommy

__._,_.___


Your email settings: Individual Email|Traditional
Change settings via the Web (Yahoo! ID required)
Change settings via email: Switch delivery to Daily Digest | Switch to Fully Featured
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